"Frank Sang the Blues" is a study of the corrosion within the 'perfect' family and the architecture of broken memory. By subjecting vintage photographs of white families - images originally meant to document status and love - to digital decay and color inversion, I am translating the emotional distance I feel toward these traditional narratives. These figures are not portraits; they are ghosts of a past that feels blurred and unreachable. In the inversion of their faces, I am exploring the polarity between the 'fine' public performance and the isolated 'orphan' within. Through this visual detachment, I reveal the tension of looking back at a history that feels like a void, capturing the weight of the unspoken truths tucked behind a Sunday-best suit.